Search Results for "japanese painter"

A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.

A crippled kabuki player is taken into a strolling company of itinerant actors. An influential publisher notices his honest, bold drawings, and nurtures him despite persecution and betrayal. The film explores the eternal relationship between artist and producer, and describes the emanicipation of a man who refuses to let himself become the plaything of power and money.

In Tokugawa-era (1637) Shimabara, oppressed peasant Christians revolt against the shogunate with the aid of charismatic Christian rebel leader Shiro Amakusa.

Writer Jippensha Ikku hears Tsutaya Juzaburo, a wholesaler of picture books, mutter on his deathbed, "Where has Sharaku gone?" He begins to figure out the true identity of Sharaku, who disappeared after about 150 portraits of actors he created came out.

The life of Katsushika Oi, daughter of Hokusai and a trailblazing female artist in Japan.

No description available for this movie.

The unknown life of Ukiyo-e artist Katsushika Hokusai in the Edo period, who is said to have painted more than 30,000 works throughout his life, such as "Thirty-Six Views of Mount Fuji"

Oei, later known as Katsushika Oi, was born the third daughter of Edo’s talented painter Katsushika Hokusai and his second wife Koto. Although Oei became the wife of a town painter for a time, her love of the paintbrush more than her husband spelt disaster and she comes back home to Hokusai from the family she had married into. This is how Oei starts to help her father out in his painting of the “insurmountable high wall”. Meanwhile, Oei can only talk to the painter Ikeda Zenjiro, who is her father’s student, about her pain and worries. Zenjiro has taken Edo by storm as Keisai Eisen, the master of ukiyo-e portraying beautiful women. He visits regularly because he admires Hokusai and secretly likes Oei although their relationship is like childhood friends. Oei respects her father whose paintings fascinated her and continues to work as a painter who supports him behind the scenes. When Hokusai’s masterpiece Thirty-six Views of Mount Fuji was completed, she was also by his side.