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During a bizarre chapter of WWII, Nazi propaganda minister Joseph Goebbels decided to make a movie based on the sinking of the Titanic. This epic film was so large in scale that the Nazis were forced to divert men, material and ships from the war effort in order to complete it. Titanic was filmed aboard cruise ship SS Cap Arcona in the Baltic Sea. The movie’s director Herbert Selpin was arrested by the Gestapo over comments he made about the ship’s crew and he was questioned by Goebbels. Selpin was found dead the next day in his cell. The Gestapo’s verdict was suicide. Titanic never received the impressive premiere that Goebbels intended, being first shown in Nazi-occupied Paris in 1943. We reveal this little known but fascinating story by looking at the making of the film, as well as the fate of the German ship Cap Arcona.

Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.

Leni Riefenstahl's flamboyant Nazi aesthetics shaped the public image of the 1936 Olympics. Never before had sports and politics been mixed. Through archive photos and reconstructions, we get a closer look into the historical propaganda show.

A keen chronicle of the unlikely rise to power of Adolf Hitler (1889-1945) and a dissection of the Third Reich (1933-1945), but also an analysis of mass psychology and how the desperate crowd can be deceived and shepherded to the slaughterhouse.

In the three years leading up to the Olympics, the Nazi regime saw sport as an invaluable mobilisation and propaganda tool to motivate the "master race". Whether sympathisers or followers, German athletes went along with it; however, a number of them came to regret their decisions.

A teacher is handing out examination results to his students in an industrial school and he points out to them that work is the most important thing in a person's life. Karel is pleased with his results but Vláďa's are bad. During the holidays Karel goes off to a factory to get work experience. Vláďa prefers to laze about and read poetry. In the end, however, he decides to follow Karel's example. At first the work doesn't agree with him, but after a few days, he gets used to it and finally he is glad to be able to work in the factory. One day he is injured at work and in hospital he has time to think about his future. He tells Karel, who visits him in hospital, that he has decided not to carry on with studies which don't interest him. He feels he will be more useful if he stays on at the factory.

Images and numbers illustrate the domestic political measures taken after the Nazis came to power to eliminate unemployment.

Follows the Fifth Nazi Party Rally (Nuremberg, 30 August–3 September 1933) and shows the then close relationship between Adolf Hitler and Ernest Rõhm.

Even high Nazi leaders like Joseph Goebbels and Hermann Göring were almost contemptuous of this party comrad, and yet he was one of the most influential figures in the Third Reich: Julius Streicher, publisher of the anti-Semitic weekly "Der Stürmer", responsible for the worst propaganda and infamous for his corrupt and violent regime as Gauleiter of Franconia. By the Allies he was considered a symbol of Nazi hatred of the Jews. In 1946 he was sentenced to death in Nuremberg and executed.

This documentary examines how Adolf Hitler and the Nazi regime made use of ancient mysticism, occultism, and mind-control techniques in their efforts to win the war.

This film claims that the Germanic tribes predated the knowledge of the ancient Egyptian pharaohs, then compares these findings with the contemporary German regime of Adolf Hitler.

"Götterdämmerung 1945: The last 10 weeks of the Third Reich" - from the battle of the Ardennes till the end. Die Deutsche Wochenschau (The German Weekly Review) was the title of the unified newsreel series released in the cinemas of Nazi Germany from 1940 until the end of World War II.

After being expelled from Beecher Prep for his treatment of a classmate with a facial deformity, Julian has struggled to fit in at his new school. To transform his life, Julian's grandmother finally reveals her own story of courage of her youth in Nazi-occupied France, where a classmate shelters her from mortal danger.

Nazi historical drama about Duke Karl Alexander of Württemberg and his treasurer Süß Oppenheimer.

As Minister of Propaganda, Joseph Goebbels creates films and pictures used to prepare the Germans for Total War and the Holocaust. When the war is lost, he conceives his last staging, the most radical propaganda act still possible to him.

Nazi propaganda film “exposes” the United States and its plans against Germany and the German people. Shows so-called signs of decay, gang-wars, slums, riots of blacks, etc. Small wonder, the comment is, that the Statue of Liberty turns it back on America.

An anti-British propaganda film from Nazi Germany which depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War.

Nazi propaganda film about the Condor Legion, a unit of German "volunteers" who fought in the Spanish Civil War on the side of eventual dictator Francisco Franco against the elected government of Spain.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

In 1912, the Titanic embarks on its inevitable collision course with history. In the wake of the over-spending required to build the largest luxury ship in the world, White Star Line executive Sir Bruce Ismay schemes to reverse the direction of his company's plummeting stock value. Onboard the Titanic, brave German 1st Officer Petersen struggles to convince his self-important British superiors not to overexert the ship's engines.

Nazi propaganda film based on the life and death of Hitler Youth Herbert "Quex" Norkus – in the film, renamed Heini Völker – who was killed while distributing flyers in a Communist neighborhood.

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