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Noémie and Priscilla, two teenagers from a modest background, nurture the same violence, the same revolt. They seriously worry their families, who feel that these girls are capable of anything...

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Nikolaï was abandoned at birth and has been in foster care ever since. Although a family would like to give the sixteen-year-old boy a home, he decides to make one himself. He meets Camille, an intriguing fifteen-year-old wiseacre, and tries to convince her to make a child together. Nikolaï is convinced that he can handle any problem and wants to avoid at all costs that an adult thwarts his plans. Camille and Nikolaï flee together from the home and isolate themselves in the woods. In the heart of this gloomy, mysterious forest, Nikolaï will have to face his first feelings and learn to become a man. Soon, he feels that there are many things he cannot control.

Gillian and Charlene, as usual, play a couple of mis-matched partners who come under the tutelage of the slightly nutty and love-sick Black Rose, a former kung fu-fighting super-hero who grooms them for a life of fighting crime. Ekin Cheng plays a dim-witted cab driver who wears a Robin costume and becomes Charlene's love interest. There is a bit of "comedy" as Rose confuses Ekin with her former lover and Gillian become jealous. A lot of time is wasted with this Three's Company-style shtick until eventually, some shred of a conflict comes forward, as the girls must battle a former protege of Rose who has taken to kidnapping to pay the bills.

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A Marilyn Monroe look-a-like happens upon three locals in a remote roadside bar with tales of misfortune and a killer on the loose.

Simon Varlet is an experienced, brilliant lawyer who says out loud what others only think. He is more devoted to his fees than to the interests of justice or the code of ethics. As a form of "punishment," his friend and bar president assigns him to defend Philippe Moreau, a young priest accused of killing one of his parishioners. Unconcerned by the case and allergic to religion and all forms of idealism, Simon is convinced that his client is guilty. Will he remain convinced?

Every lover is an apple but not every apple is a lover. FGLND on Federico Garcia Lorca (1898 - 1936) courage & passion filled life, work and death.

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Directed by Youssef El Ftouh

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The Black Book, drafted during World War II, gathers numerous unique historical testimonies, in an effort to document Nazi abuses against Jews in the USSR . Initially supported by the regime and aimed at providing evidence during the executioners’ trials in the post-war era, the Black Book was eventually banned and most of its authors executed on Stalin’s order. Told through the voices of its most famous instigators, soviet intellectuals Vassilli Grossman, Ilya Ehrenburg and Solomon Mikhoels, the documentary, provides a detailed account of the tragic destiny of this cursed book and puts the Holocaust and Stalinism in a new light.

The film is described as a weird and wonderful merging of shades of folk horror, the supernatural with dadaist humour and a quaint British eccentricities that are long gone in the cinema of today.

Angels and man and the angel in man. The difficulties of an inexperienced young angel with an unwilling, stubborn client.

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

Chris Marker’s The Case of the Grinning Cat (Chats perchés) follows the appearance of the yellow M. Chat graffiti across Paris in the early 2000s, using it as a lens to reflect on art, protest, and politics in the post-9/11 era. Blending street imagery with footage of global and local unrest, the film serves as a playful yet pointed companion to Marker’s earlier A Grin Without a Cat.

An ageing punk-with-a-dog and his brother the conformist decide to get their revenge on a shopping mall. Directing duo Benoit Delepine and Gustave Kervern, longstanding comic crusaders against capitalism, again set out to surprise and shock the bourgeois audience.