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Forty years after the release of Claude Lanzmann’s monumental film Shoah, Guillaume Ribot reveals the director’s relentless pursuit to tell the untold, using only Lanzmann’s words and unseen footage from the masterpiece.

Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.

Miguel is learning to drive with his father. A rite of passage to manhood: They talk about girls and smoke cigarettes while driving through the four streets that make up their world. After an incident, his father leaves. In a world where boundaries are unclear, Miguel seeks his way to nowhere.

The Taste of Nothingness is a meditative exploration of the deliberate self-destruction of a seemingly normal teenager and his intimate friend. With his parents away, Julien has decided to commit suicide, with his friend Niels filming him. First seen naked in bed together, the handsome youths awaken, dress, and begin to methodically discard all of Julien's possessions and attachments. Demonstrating a casual ease with one another and their bodies, they wordlessly record both the mundane and unusual aspects of these last two days of life. The Taste of Nothingness is a challenging but rewarding experimental film that haunts the viewer long after it ends.

At first glance, Grandma Mui and Uncle Cheung look just like another ordinary elderly couple loitering outside a school wall. Grandma Mui is suffering from Alzheimer’s disease and her conditions deteriorate notably after the death of her granddaughter Ka-ching from a fall off the school building, with the school officials suspected of negligence and being dishonest in their testimony. Stricken by grief, Grandma Mui’s mind falls into complete chaos as memories, delusions and reality mesh together. Uncle Cheung, indirectly connected to Ka-ching’s death, lacks the courage to tell the truth. As an act of atonement, he takes care of Grandma Mui even when the future looks bleak.

A lone soldier deserts the war, driven by a death wish. An encounter with a mysterious man, Don Juan, offers him a new path to cope with his suffering. This film is a philosophical and emotional journey through life, death, and everything in between.

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There were moments when I closed the door and my mind was flooded with questions. One of them was strong enough to turn on the camera. Do they love each other? Nota and Ilias are an elderly couple living in different worlds. The only common thing in these worlds is the slow and difficult decaying of the mind and body.

In the second leg of our three-part journey through Asia, we'll be taken to Mongolian yurts, climb the pristine mountains of Kyrgyzstan, and embark on what is probably the longest detour of our lives toward Iran: We'll cross the vast steppe of Kazakhstan—and through endless NOTHING. There, we'll discover something we weren't actually looking for.

In Mumbai, Vishesh spots the elusive goddess Mumba Devi and chases her through iconic landmarks, determined to discover if the legend of her rewarding the persistent is true.

There's a man, a woman, and a dreamer, and they're in a city of nothingness, in a dream of nothingness.

Spending time with his dog, A moves to new places and comes across various landscapes and people.

Short film.

The piece centers on Jean-Baptiste’s cousin Lucas, who was brutally murdered ten years ago at the age of 18, while at a birthday party in Cayenne, French Guiana.

The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.

When sixteen-year-old Lola is forced to relocate to Casper, Wyoming with her anxious, existentialist mother - she ends up falling for her eccentric grandmother's ranch hand.

French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star who produced more than 110 low-budget movies in a country devastated by war.

Sélima, 25 years old, barmaid. Nothing special, except for her extreme sensitivity and empathy. It is even said that she is able to absorb people's pain. Relieving people is cool, but at what price ?

Athens, humans, animals, everyday life, coexist with the desperate and furious voice of Panagiotis, and the disregarded gentle speech of Apostolis.

The theatre company of a forgotten town puts on one last performance to escape the reality of their home fading away into nothingness.

After a one-night stand, a writer and an actor navigate the hazy terrain between connection, ambition, and commitment.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.