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A new English adaptation of the classic French tragedy Phèdre by Jean Racine (1639-1699). It retells the ancient Greek tale of the wife of the Atenian King Theseus, who conceived a forbidden love for his son (by an earlier wife) Hyppolytus. All ends badly for all.

Confronted with death, National Health Service founder Aneurin ‘Nye’ Bevan’s deepest memories lead him on a mind-bending journey back through his life; from childhood to mining underground, Parliament and fights with Winston Churchill.

An ageing monarch. A kingdom divided. A child’s love rejected. As Lear’s world descends into chaos, all that he once believed is brought into question. One of the greatest works in Western literature, King Lear explores the very nature of human existence: love and duty, power and loss, good and evil.

Madame Ranevskaya is a spoiled, aging aristocratic lady who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage. In denial, she continues living in the past, deluding herself and her family, while the beautiful cherry trees are being axed down by the re-possessor Lopakhin, her former serf, who has his own agenda.

As the world faces its Second World War, John Halder, a good, intelligent German professor, finds himself pulled into a movement with unthinkable consequences.

A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).

On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.

It's a summer's morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport.

Embark on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury, England. The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.

The story of Margo Channing. Legend. True star of the theatre. The spotlight is hers, always has been. But now there’s Eve. Her biggest fan. Young, beautiful Eve. The golden girl, the girl next door. But you know all about Eve…don’t you…?

In 1968 America, as two men fight to become the next president, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the unruly liberal Gore Vidal. During a new nightly television format, they debate the moral landscape of a shattered nation.

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

One summer's evening, two ageing writers, Hirst and Spooner, meet in a Hampstead pub and continue their drinking into the night at Hirst's stately house nearby. As the pair become increasingly inebriated, and their stories increasingly unbelievable, the lively conversation soon turns into a revealing power game, further complicated by the return home of two sinister younger men.

Marquise de Merteuil, former lover of Vicomte de Valmont, incites him to corrupt the innocent Cécile de Volanges before her wedding night, but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel.

People spoil things; there are so many of them and the last thing one wants is them traipsing through one’s house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy wonders if an attic sale could be a solution.

With her father the Duke banished and in exile, Rosalind and her cousin Celia leave their lives in the court behind them and journey into the Forest of Arden. There, released from convention, Rosalind experiences the liberating rush of transformation. Disguising herself as a boy, she embraces a different way of living and falls spectacularly in love.

Acclaimed playwright Tom Stoppard (Shakespeare in Love, Arcadia, Rosencrantz and Guildenstern are Dead) returns to the National Theatre with his highly-anticipated new play The Hard Problem, directed by Nicholas Hytner (Othello, Hamlet, One Man, Two Guvnors). Hilary, a young psychology researcher at a brainscience institute, is nursing a private sorrow and a troubling question at work, where psychology and biology meet. If there is nothing but matter, what is consciousness? This is ‘the hard problem’ which puts Hilary at odds with her colleagues who include her first mentor Spike, her boss Leo and the billionaire founder of the institute, Jerry. Is the day coming when the computer and the fMRI scanner will answer all the questions psychology can ask? Meanwhile Hilary needs a miracle, and she is prepared to pray for one.

India is surging with global ambition. But beyond the luxury hotels surrounding Mumbai airport lies a makeshift slum, full of people with plans of their own. Zehrunisa and her son Abdul aim to recycle enough rubbish to fund a proper house. Sunil, twelve and stunted, wants to eat until he’s as tall as Kalu the thief. Asha seeks to steal government anti-poverty funds to turn herself into a ‘first-class person’, while her daughter Manju intends to become the slum’s first female graduate. But their schemes are fragile; global recession threatens the garbage trade, and another slum-dweller is about to make an accusation that will destroy herself and shatter the neighbourhood.

As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.

In 1964, Richard Burton, newly married to Elizabeth Taylor, is to play the title role in an experimental new Broadway production of Hamlet under Sir John Gielgud’s exacting direction. But as rehearsals progress, two ages of theatre collide and the collaboration between actor and director soon threatens to unravel.

One-man stage performance by English stage and screen actor Sir Ian McKellen. McKellen reprises roles over his career in the theatre (such as the works of William Shakespeare) and on film (such as Gandalf in J. R. R. Tolkien's The Lord of the Rings film series), while discussing anecdotes throughout his life and career.

Andrew Scott brings multiple characters to life in Chekhov's Uncle Vanya, filmed live in West End, London. Hopes, dreams, and regrets are thrust into sharp focus in this one-man adaptation which explores the complexities of human emotions.

A ship is wrecked on the rocks. Viola is washed ashore but her twin brother Sebastian is lost. Determined to survive on her own, she steps out to explore a new land. So begins a whirlwind of mistaken identity and unrequited love. The nearby households of Olivia and Orsino are overrun with passion. Even Olivia's upright housekeeper Malvolia is swept up in the madness. Where music is the food of love, and nobody is quite what they seem, anything proves possible.

Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love. In a tragic fight between devotion and duty, obsession becomes a catalyst for war.

Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.

It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.

Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.

Puppetry, magic and storytelling combine in a unique, Olivier Award-winning stage adaptation of the best-selling novel. After a cargo ship sinks in the middle of the vast Pacific Ocean, a 16-year-old boy named Pi is stranded on a lifeboat with four other survivors – a hyena, a zebra, an orangutan and a Royal Bengal tiger. Filmed live in London’s West End and featuring state-of-the-art visuals, the epic journey of endurance and hope is bought to life in a breath-taking new way for cinemas screens.