Search Results for "obituary"

A young clergyman, is forced to hold the funeral of his former beloved without prior notice.

Denise's job at the Tribune isn't as glamorous as it sounds, especially since the only writing she does is for obituaries. But her life gets a jolt of excitement when she stumbles upon a murder scene involving someone whose death announcement she's already read! As Denise gets pulled deeper into the investigation, things become even more creepy and unbelievable. But she'd better be careful — or the next obit may be her own!

When renowned journalist Jamie Lopez runs from a terrible mistake, she discovers she cannot hide from what she has unleashed.

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A wealthy, Nigerian-American teenager is pulled over by police, shot to death, and immediately awakens, trapped in a terrifying time loop that forces him to confront difficult truths about his life and himself.

Seong-jae, a maid of Yeong-dal's house, lives with her daughter Soon-i. Her neighboring village, Seok-ju, loves Soon-i. However, as Yeong-dal's scheme makes it difficult to make a living for sewing, Soon-i becomes Yeong-dal's concubine. Sewing, who saved her foundation thanks to her daughter, opened the tavern she had always dreamed of. However, Soon-i leaves a letter without saying a word and she leaves for Pyongyang. After a while, a large sum of 150 won was remitted from her Soon-i. There she became a whore. When Seong-bong learns of her, he takes her Seok-ju and goes to find her. However, the way to pay off her 500 won debt was vague. On a rainy night, Seong-joo robs her pawnshop and gives Seok-joo a bundle of stolen money and collapses. But it was a piece of her newspaper and she felt relieved that she was freed from sin. In front of Se-bong, the happy wedding scene between Seok-ju and Soon-i comes to mind.

Young but already experienced filmmaker Robert Sedláček (author of the documentary trilogy about modern Czech history Tenkrát or the feature debut Pravidla lži), meets in the film the retired prime minister Miloš Zeman, who, with his own ambivalent attitude, sees this film as his "obituary". In the documentary, he talks about the personal and socio-political contexts of his life and confesses in it his admiring relationship with Vysočina, which is for him an "anchor in his soul". The viewer learns what the former prime minister thinks about and how he reflects on the recent past, and in this way he can actually learn something about himself, because Miloš Zeman is one of the most powerful men in our modern history and therefore also, in a certain sense, the embodiment of Czech society.

Made in the form of an extended news report and narrated by journalist Dina Čolić-Anđelković, the film presents a snapshot of the chaotic Belgrade criminal underworld in the early 1990s which sprung up against the backdrop of Yugoslav wars. The film is composed of fragments from interviews with individuals directly involved with criminal activities either through perpetrating them or through trying to stop them.

Obituary is a North American death metal band formed in 1985 in Tampa, Florida under the name Executioner, then changed the name's spelling to Xecutioner, and later changed their name to Obituary. The band comprises vocalist John Tardy, drummer Donald Tardy, guitarists Trevor Peres and Ralph Santolla and bassist Terry Butler. The band is a fundamental act in the development of death metal music and one of the most successful bands in its genre.

TRACKLIST: Violence Chopped in Half Turned Inside Out Back to One The End Complete Dead Silence Inked in Blood I'm in Pain Slowly We Rot

A journalist experiences the death of a friend and expects to become the next victim, but this is just fear. Too much tension in the air.

Serbian crime drama focusing on Belgrade's violent criminal underworld. Obituary For Escobar distinguishes itself from other recent crime dramas with its strong visual style and energetic approach. Borko was a young effeminate boy bullied at school by the self-styled 'Ghandi'. Years on, Ghandi is now a warlord, wrecking mayhem in pursuit of his ambition to become the leading drug lord in the Balkans. His execution of the rival 'Serbian Escobar' coincides with the mysterious placement of an obituary for the real Escobar by two stoners. In Ghandi's pursuit of the assailants he meets Lela, a stunning mystery woman who leads Ghandi to reconsider both "Borko" and his life in crime.

Autumn 1990, a young Austrian goes to a party held by some of his friends and provokes a hideous bloodbath. As a reflection of daily reality and its crass representation of the horror of this extreme crime, Michael Haneke has composed an experimental collage of material gathered from one day of ORF (Austrian TV) broadcasting, using each part in proportion to the time allocated to it in the programme schedule.

The film follows the news of the illness of the institute's department head, Professor Abdulla, spreading throughout the institute with lightning speed. Shamil, who hears from Dr. Mamish that his condition is absolutely critical, begins to prepare an obituary for Professor Abdulla, and even appeals to other officials to have himself appointed to his position.

Between 1962 and 1966, sex murderer Jurgen Bartsch cruelly tortured and killed four children in an old air raid bunker in Germany. This documentary examines the personality of the killer who died in 1976 during voluntary castration surgery at the age of 30. Vilified by the press for his heinous crime, Bartsch also became a case study for famous found criminal psychologists like Alice Miller (who maintains that no one abuses without being abused as a child, and murderers tend to have their own childhood abuse denied by the adults around them). Bartsch never met his birth parents, he was raised in a clinic and later adopted by a cold, unaffectionate couple. By the age of 15, he tortured and killed his first child victim. This informative, fact-filled documentary provides enough details for viewers to come away with a broader understanding of the nature of the criminally insane and society's role in their formation.

The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian communist, have always been part of her life, although she never met them in person. Her uncle Hermann lives in what was once their house, with their furniture, Marx and Lenin busts, Hanukkah lamp, countless photos, letters and oil paintings. Through the film Judith Schein asks whether it is possible for a house and its interiors to narrate History.

On the side of the road, in a quaint Cuban town, stands a funeral home in which Maurilio and Fidela, partners in work as in life, have been preparing corpses for the past seventeen years. With quietly affectionate humour, María Salafranca takes us on an offbeat tour of this discreet establishment where death and love intertwine on a daily basis.

A man who searches for his own death in the obituary column of the newspapers.

After receiving the news of the sudden death of an old friend, a young man decides to travel to the Korean mountains to pay his last respects. When he arrives, the friend's house looks deserted. But appearances are deceptive!

Obituary for a young man.

After denying a woman the extension she needs to keep her home, loan officer Christine Brown sees her once-promising life take a startling turn for the worse. Christine is convinced she's been cursed by a Gypsy, but her boyfriend is skeptical. Her only hope seems to lie in a psychic who claims he can help her lift the curse and keep her soul from being dragged straight to hell.

The staff of an American magazine based in France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.

A retired businesswoman – who tries to control everything around her – decides to write her own obituary. A young journalist takes up the task of finding out the truth, and the result is a life-altering friendship.

A habitual sleepwalker suspects himself of committing murders at night without his knowledge. Although he publicly claims innocence, all the signs seem to point to a dark secret in his family.

An introverted, lonely, obituary writer deals with mortality while navigating her own unfulfilled life.

Asking to leave a school bus, Cliff, a young teenager, collapses and dies in the snow near the roadside. His math teacher is asked to notify the parents and then write a short obituary. Although he barely knew him, his teacher is intent on unraveling the mystery of the untimely death.

For more than four decades, Alfred Biolek had left his mark on German television. Countless hits are connected with his name. In his obituary, Oliver Schwabe shows the most important points in Biolek’s life. From the beginnings in cabaret, through his work as the producer of the TV show “Am laufenden Band” and his way onto the stage. That’s where he was pulled to, and there he had his greatest successes: ‘Bio’s Bahnhof’, ‘Mensch Meier’, ‘Boulevard Bio’, or ‘Alfredissimo’ with millions of viewers in front of their tv screens. His work and his life are put into perspective by Biolek himself over and over again in candid and often touching words.

A group of strippers struggle to keep themselves safe while detectives try to figure out who is killing them off.

From 1990 to 1994, ground zero for the all-ages, alt-rock scene in Portland was the X-Ray Cafe. Brought to life and operated as a flight of fancy by Benjamin Arthur Ellis and Tres Shannon, the X-Ray was both a critical venue for emerging local and touring bands and hang-out for an amazing array of outcasts, street kids and creative eccentrics of all stripes. When band such as Crackerbash, Sprinkler, Poison Idea, Hell Cows, Smegma, Dead Moon, Hitting Birth, Beat Happenings, Cake, Hole, Green Day or the Spinanes were not on stage, anything from poetry to Spanish lessons to a sewing circle might have connected and entertained the customers. Whether shelter, social or information hub, or music mecca, the X-Ray represented and remains, in age-old fashion, a key chapter in many Portlander's coming of age. Ellis's film, loaded with interviews and performance clips, is a spirited valentine to the craziness and glory of days gone by and to the many who called the X-Ray home.