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Pinscreen animation makes use of a screen filled with movable pins, which can be moved in or out by pressing an object onto the screen. The screen is lit from the side so that the pins cast shadows.

The Pinscreen is a tool that was created in the 1930s to make animation films. Although it no longer provides any technical advantages, a handful of animation directors still use it. This film explores why it is so important to create something handmade with constraints, in a time when everything is turning towards instantaneous digital technology.

A musical exploration inspired by various pictorial movements of the first half of the 20th century. Animated on the Spinae, a pinscreen created by Alexandre Noyer.

An animated film based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names in animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).

When immersed in the contours swelling and waning in the forest of needles, the mundane world drifts away, and we only live to breathe.