Search Results for "screenwriter"

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To finish his script, Jonas is ordered by his producer to work with a talented Parisian scriptwriter, whose arrival at his home effects his life in unimaginable ways.

32 renowned Brazilian screenwriters of the contemporary Brazilian cinema talk about their creative processes. From the concept of script to their agreements and disagreements, going through their experiences with filmmakers, their reaction to the finished film, critic, and even controversies on auteurism.

Alice (Carolina Zanella) is an award-winning screenwriter, but her job demands much more from her than she imagines. Frustrated at not being able to come up with an innovative story, she asks for help from two friends who are actors, Jorge (Guttho Lekan) and Júlia (Rebeca Knopf). However, their strong personalities result in more problems. With existential crisis and depression, she needs to consult with her psychologist Gustavo (Vinicius Daza), who advises her to have more experiences than she has already had. With the great problems that this advice brings her, she discovers that the greatest story was right in front of her.

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One of the most outstanding personalities in the Danish film industry is Mogens Rukov, co-writer of Thomas Vinterberg's dogma-film The Celebration (Cannes, 1998, winner of the Jury Price) and head of the Department for Scriptwriting at the Danish Filmschool. Flemming Lyngse has made a film with rather than about Mogens Rukov. This is a film with a moving man - professionally as well as personally.

Two screenwriters must finish a screenplay in less than 24-hours.

Documentary is about the life and work of American screenwriter Waldo Salt who won two Academy Awards and was put on the Hollywood blacklist in the 1950s. The story is told through interviews with collaborators and friends such as Dustin Hoffman, Robert Redford, Jon Voight, John Schlesinger and with clips from Salt's films, chiefly Midnight Cowboy.

Ashit, young screenwriter struggles to finish his scripts under the pressure to meet the deadline while the characters he creates in the story disturbed him and joked around. Producer keeps denying his scripts, suggesting awful ideas and encouraging him steal ideas from others. Ashit feels frustrated and depressed after compromising himself to the producer's demands. His dream of being a screenwriter is drifting away.

Susannah Grant received an Oscar nomination for her screenplay for Erin Brockovich, an inspirational story based on the life of a working-class heroine. After her nomination, she went on to adapt In Her Shoes and Charlotte's Web, as well as write and direct Catch and Release. Here, Grant goes into the midwife vs. mother role of novel adaptations, the importance of finding your voice and why sometimes you just have to be able to really, really suck.

Oscar-winning writer, director and producer Paul Haggis (Crash) reflects on his remarkable journey from television to feature film in this lively conversation conducted in the same spirit as "Inside the Actors Studio." The program is part of a series of in-depth talks between industry professionals and more than two dozen successful screenwriters, who candidly discuss their careers and their varied approaches to the writing craft.

Writer, director, producer MARSHALL HERSKOVITZ is one of the most prominent figures in film and television. With partner Ed Zwick, whom he met while attending the American Film Institute, Herskovitz created and executive produced the highly-acclaimed television shows thirtysomething and Once and Again, and wrote the film The Last Samurai, starring Tom Cruise. He served as producer on the films Traffic, I Am Sam and Dangerous Beauty, which he also directed. In this revealing interview, you ll learn his theories on why writing is hallucinatory, directing is a samurai job, and how movies are like aircraft carriers.

Few screenwriters can concentrate for more than a few hours, let alone sustain a career in Hollywood for over 30 years. But the blockbuster comedy writing team of Lowell Ganz and Babaloo Mandel has been making television and film audiences laugh for decades. In the early '70s, Ganz was writing for The Odd Couple while Mandel was receiving his first paychecks for work on M*A*S*H and Busting Loose. In total, Ganz and Mandel have written an astonishing 18 produced feature screenplays, including City Slickers, A League of Their Own, Mr. Saturday Night, Forget Paris, Where the Heart Is, Robots, and Fever Pitch, while also maintaining a "secret career" of un-credited rewrites on studio comedies.

Hamburg wrote and directed the crime comedy Safe Men, which played at Sundance and spawned a devoted cult following. A sure-thing comedy closer, the New York City native built hilarious set pieces and character work into Meet the Parents, Zoolander, and Meet the Fockers that not only helped lift them to huge box office but also pushed a few new catchphrases into the American lexicon. A veteran of the uncredited production rewrite, Hamburg also wrote and directed the romantic comedy Along Came Polly in 2004. In this amusing interview, Hamburg discusses how he developed his talent for writing actor-hooking dialogue in the humorous monologues he performed in college, why he'd do a thousand test screenings if he could, and what it's like to hand a new scene to Robert De Niro and stand there waiting to see if he likes it.

BILLY RAY has written or co-written the screenplays for Color of Night, Volcano and Hart's War and also created the sci-fi series Earth 2. In 2003, Ray wrote and directed Shattered Glass, which was based on the true story of fraudulent journalist Stephen Glass. Most recently, he found himself back in the writer/director role for Breach, a story based on real-life FBI agent-turned-Soviet spy Robert Hanssen. In this intriguing interview, listen as Ray touches on his inspiration from movie soundtracks, taking acting classes, genius by osmosis and writing for the Jetsons.

Poised to become one of the most successful screenwriting teams in Hollywood, Alex Kurtzman and Roberto Orci are certainly in striking position. A team who became just that after meeting in high school, they have frequently collaborated with writer-director J.J. Abrams and director Michael Bay. As a team their screenwriting credits include The Island, The Legend of Zorro, Mission: Impossible III and the upcoming Star Trek XI.

This documentary premiered at the Kennedy Center in Washington, DC. Explore the challenging world of the screenwriter with renowned industry writers.

Jeff Nathanson is easily among the A-list of Hollywood screenwriters, His script for Catch Me If You Can earned him much critical praise, as well as the devotion of Steven Spielberg, who also brought him to work on his next movie, The Terminal. Nathanson has also collaborated with Jan de Bont on Twister and Speed 2: Cruise Control and with Brett Ratner on the Rush Hour films. In this interview, learn more about why he dreads pitching, never speaks during a notes meeting, and finds he can do almost all his research with the Internet and old Playboys.

With over 23 years in the business, Bruce Joel Rubin has done it all. From his Oscar-winning screenplay for the romantic-comedy-drama Ghost, to the psychological thriller Jacob's Ladder, the family-friendly adventure Stuart Little 2, and the tearjerker My Life, which he also directed. In this in-depth interview, Rubin delivers some insightful stuff: his carpet-laying theory about writing, the story behind the Jacob's Ladder gut-wrenching opening scene, and which of his screenplays came about thanks to a burrito that didn't digest well.

After 15 years in the business, Stuart Beattie has learned a thing or two about how to make characters sing (or sting) on the page. Listen in as he describes how to stay hungry when you can't get anyone to read your scripts and how he came up with Pirates of the Caribbean and Collateral.

One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor Harry, which punctures the rhythm of his everyday life.

Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.

A few years ago, a mysterious serial-killer caused panic on Crippen High School. The killer was never caught. A movie company, Cosmic Pictures, has decided to make a feature movie about these events - on location, at the now abandoned school. Since members of cast and crew disappear without a trace, it seems as if history is repeating itself...

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

A woman screenwriter lives in a shabby bungalow in order to be near her husband, a 39-year-old newspaper editor who has just joined the army.

They are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.

The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.

A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.

A middle-aged filmmaker on the verge of a breakthrough. Two kids in search of a lost backpack. A small dog a long way from home.

A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.

A screenwriter is plagued by nightmares as he writes a script about a family that was slaughtered years before. Soon, the grisly murders he's writing about start to actually happen.

Lewis Tater writes Wild West dime novels and dreams of actually becoming a cowboy. When he goes west to find his dream he finds himself in possession of the loot box of two crooks who tried to rob him.

A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.

Two lifelong friends bond whilst vacationing in a luxury Swiss Alps lodge as they ponder retirement. While Fred has no plans to resume his musical career despite the urging of his loving daughter Lena, Mick is intent on finishing the screenplay for what may be his last important film for his muse Brenda. And where will inspiration lead their younger friend Jimmy, an actor grasping to make sense of his next performance?

HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.

1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.

Three women use their newly formed sisterhood to fight against sexism, bad relationships and low self-esteem. Through embracing their wild adventures, they learn the secret to ultimate fulfillment.

Based on a true story, ‘the Narrator’ is befriended by his young new neighbor, after he joins the local newspaper team. Obsessed with the idea that ‘the Kid’ may be a sociopath, ‘the Narrator’ goes to extreme lengths to uncover the truth about him. After unsettling rendezvous, the truth he finds is anything but what he expected.

Davis meets Zina in a car wreck. Their immediate attraction for one another is put into jeopardy when they learn each is competing for the same writing job.

Two emotionally unavailable men attempt a relationship.