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Molding, stretching, squashing, bending, breaking, ripping, and tearing, a sculptor toils away attempting to shape raw material into the perfect form.

A sculptor dreams about his work coming to life and having various adventures.

A man driven by ambition finds his way in the invitation to join an antique secret society ignoring its very singular background history.

No description available for this movie.

The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward.

A sculptor creates several faces in a span of four minutes.

Alexander Calder revolutionized the art of sculpture with his distinctive modernism, freeing sculpture from its stand and adding movement to the art itself. He rose to fame in the 1930s with his renowned Miniature Circus but his modernist creativity skyrocketed with his wire sculptures, an invention he dubbed "drawing in space."

Enter the imaginative world of acclaimed sculptor Rolanda Polonsky, who had been a resident of Netherne Psychiatric Hospital in Coulsdon, Surrey for 26 years when this film was made. One of the positive aspects of her illness, described in the film as a schizophrenia, is that it "tapped a deep source of mystical vision and human feeling" which finds expression in her work.

Documentary film based on unique found footage shot in the 1920s by count August Zamoyski. A valuable insight into Polish artistic life between the world wars.

The artist studio is decorated with a rug, a chaise lounge, a small table, a plinth, a couple of copies of classic sculptures, a vase with flowers, a few prints on the walls, and on the wood paneled lower half of the wall, an 8-pointed star [Saturn-Film's logo]. The artist is wearing a white shirt over his grey trousers, shirt and necktie, and he is wearing black shoes. With hammer and chisel, he applies the last touches on his last piece of sculpture - The Three Graces, standing nude on a rectangular podium covered with a white bed-shirt. He steps back, contemplates his work, and rejoices on the beauty he has achieved. He goes out momentarily, and brings a bottle of champagne and a glass; before drinking, he makes a toast to his finished statue. He drinks, smokes a cigarette, and contemplates his work - until he falls asleep on the chaise lounge. Only then do The Three Graces stir, and tip-toe around their creator. One even dares to approach her lips to the artist's.

No description available for this movie.

Like his grandfather and his father before him, François Pernet is a mountain peasant and works with wood. He trained as a carpenter and cabinet maker and owns the last water-powered sawmill still operating in French-speaking Switzerland. He and his wife have five children, two of their own, and three nephews adopted after the death of their parents in a car accident. So, to earn a living, he makes and carves cupboards and turns bannisters. In addition to his work, Pernet has become a sculptor as well. His bas-relief carvings, which have decorated local cafés, show various aspects of mountain life, including hunters, poachers, chamois and other animals.

A documentary about the Icelandic sculptor, Sigurjón Ólafsson. Shot between 1978-1984, the film shows Mr. Ólafsson making a portrait in clay of the late president of Iceland, Dr. Kristján Eldjárn. The proces is shown almost from the beginning until the sculpture has been moulded into bronze. The film also deals with some of Ólafsson's other work and a visit is paid to the artists's place of birth, Eyrarbakki, a small village on the south west coast of Iceland.

Documentary about sculptor Liu Huanzhang.

Ethnographic film

The early years of the sculptor's life and work. Vasyl Borodai is a People's Artist of Ukraine, a corresponding member of the USSR Academy of Arts, and a veteran. He came to the art institute after the war, and took up military themes only 10 years later - his memories were too painful. He is the author of monuments to fallen partisans and soldiers, a series of graphic and sculptural works "Across Egypt," portraits of prominent people of Ukraine, and a monument to legendary heroes, the founders of Kyiv. The fate of the work of sculptor Vasyl Borodai is interesting from the point of view of continuing the Soviet tradition of bans. His monument to the October Revolution on Independence Square was one of the first monuments demolished in Ukraine since Ukrainian independence. His other works, such as the monument to the Chekists and Motherland, are still the subject of controversy as monuments to the Soviet past.

A film about the Icelandic sculptor Einar Jónsson.

The wife of a wealthy man hires memory erasing agents to erase the memory of the young lover with whom he is having an affair, but soon realizes that the young lover will stop at nothing to keep the man's love for her alive.

Dr. Jason Stone had everything a man could want. The perfect wife, 2 beautiful children and a successful Plastic Surgery Practice. Life was perfect until an unexpected diagnosis turned his life inside out.

Jacobs documents the work of artist Ronald Gonzalez in his Binghamton, NY home and studio space. Producing more of an abstract portrait than a documentary, Jacobs follows Gonzalez as he guides his camera through an expansive collection of eerie and affecting sculptures, figures made of found objects and animal bodies, beautifully manipulated scrap metal, or tangles of fur and string. The film is devoid of spoken word or sound other than the occasional roar of a train seen early in the piece or the resounding last words spoken by Gonzalez: "Dear God, please bless me, Cindy, and Molly. Bring us health and happiness and luck. We need a lot of luck. And please send me all the objects I?", at which point the film ends. Ronald, Gonzalez, Sculptor pairs this sparse soundtrack with Jacob's signature flicker effects to bring life to each of Gonzalez's sculptures, epitomizing and embodying the fusion of and communion between the two mediums.

In November 1918, a few days before the Armistice, when Lieutenant Pradelle orders a senseless attack, he causes a useless disaster; but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.

Hans von Arnam travels to a Flemish village to study a strange carousel located in an old windmill that displays famous murderesses and other notorious women from history. Professor Gregorius Wahl, owner of the windmill, warns Hans to stay away from his mysterious daughter Elfi, in order to keep Hans from discovering the horrible secret shared by the Professor and Elfi's Doctor.

A mother desperate to reconnect with her troubled daughter becomes embroiled in the urban legend of a demonic witch.

Adlon recounts the making of the sculpture, "Kugelkaryatide" the sphere that stood in the center of Tobin Plaza between the two towers of the World Trade Center. The film follows the sculpture from its creation as the largest bronze sculpture of recent times to the aftermath, where it now stands, heavily scarred, in Battery Park.

A journey through the Spain of the Baroque, the glorious 17th century, an unfortunate era of endless wars and political tribulations; but also of great painters and sculptors who created astonishing pieces of art: el Siglo de Oro.

Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?

An isolated sculptor is visited by his three sons just before the start of WWII.

A priceless Cellini silver cup is stolen from a local museum with both Hildegarde and Oscar on the case.

Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.

A writer attempts to raise some cash by writing a book about the Loch Ness Monster. No publisher will take it because they all think there isn't really a monster. The writer and some of his friends make a fake monster and take photographs and then travel to Scotland to see if they can convince the locals.

Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.

56-year-old artist Mindy Alper has suffered severe depression and anxiety for most of her life. For a time she even lost the power of speech, and it was during this period that her drawings became extraordinarily articulate.

A blind sculptor works on his magnum opus unaware that the skeletons he has been using for armatures are the remains of the victims of his evil wife and that he is the next target.

A Korean high school student and a married sculptor embark on a sexual odyssey soaked in sadomasochism and love.

Isamu Noguchi was a sculptor, designer, architect, and craftsman. Throughout his life he struggled to see, alter, and recreate his natural surroundings. His gardens and fountains were transformations meant to bring out the beauty their locations had always possessed.

A sculptor opens a wax museum to showcase the likenesses of famous historical figures, but quickly runs into trouble when his business partner demands the exhibits become more extreme in order to increase profits.

After being ridiculed by his surrounding, a man who makes the wooden sculptures leaves the village with his best man to live high up in the mountain and devote to his hobby.

Two woodcutters spend the night in a mountain lodge after being caught in a snowstorm. A female spirit appears and takes the life of one of the men. She spares the other man's life on the condition that he never tell anyone what happened that night.

In decades past, Native American artists who wanted to sell to mainstream collectors had little choice but to create predictable, Hollywood-style western scenes. Then came a generation of painters and sculptors led by Allan Houser (or Haozous), a Chiricahua Apache artist with no interest in stereotyped imagery and a belief that his own rich heritage was compatible with modernist ideas and techniques. Narrated by actor Val Kilmer and originally commissioned as part of an exhibit of Houser’s work at the Oklahoma History Center, this program depicts the artist’s tribal ancestry, his rise to regional and national acclaim, and the continuing success of his sons as they expand upon and depart from their father’s achievements. Key works are documented, as is Houser’s tenure at the Santa Fe–based Institute of American Indian Arts.

Set in the 1960's. Joo-goo is viewed as Korea's best sculptor, but he suffers from a disease which will slowly paralyze his body. He gives up interests in the arts and just spends his days meaninglessly. His wife, Jung-sook, tries to find a nude model for him, hoping the model might inspire him to sculpt again. One day, Jung-sook meets Min-gyung.

Bill Goodman is a celebrated psychiatrist who leads a double life: he has a wife and daughter in New York; at the same time, the bigamist has another wife in London. Despite his long absences both families lived in domestic bliss, until one day the wives find out about each other and team up to turn on the man who so cunningly made everyone happy for so long...