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Cassie is thrilled when she’s accepted as a mid-year transfer into an elite sorority, complete with free housing, tuition assistance and a great alumni network. However, when Cassie uncovers that the chapter president and the advisor are running an escort service with girls from the sorority she soon realizes this “little secret” just might kill her.

No description available for this movie.

Three sisters are facing an impending disaster: the imminent flooding by the sea of the lands where they live. In the midst of such chaos, the sisterly union is shaken up and each of the sisters experiences the imminence of death, in their inner selves, in a different way.

Emily Young, a senior, wants to be elected as her sorority's president. She adopts a cute sloth, thinking it can become the new mascot and help her win, until a string of fatalities implicate the sloth as the main suspect in the murders.

In Osaka's slum, capricious folks without futures engage in pilfering, assault and robbery, prostitution, and the trading of ID cards and blood.

Second "Pfc. Story" sequel and the ninth and final sequel to "Story of Second Class Private", the only one in both series not directed by Seiichi Fukuda.

A country boss gives up his way of life because of his daughter's marriage.

First sequel to "Story of Second Class Private".

Second sequel to "Story of Second Class Private".

One night in Edo, a mysterious woman in a palanquin appeared at the moneylender Yamashiroya, revealing herself to a beautiful woman. She told the owner, Shigebē, that she had come to collect a life he owed from twenty years ago and then left. The same night, Maruiya Genbē also received a visit from the woman's palanquin, and nearby, a man named Manbē was murdered. The detective Hayanawa Gohē concluded the murder was the work of a fox spirit, but another detective, Den Shichi, skeptical of this theory, noticed footprints on the tatami and decided to investigate further.

An experimental documentary looking at the transgender experience around the world over two hemispheres, three continents and with four interviewees. The film employs limited B roll shots or edits during the interviews, instead opting to have the interviews mostly uncut, with the goal of creating both a level of sincerity and a conversational narrative between any one of the interviewees and the audience.