Search Results for "super8"

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A short survey of the small-gauge narrative film, beginning with the Kuchars' Sylvia's Promise (1962). Primarily focused on East Coast artists, the work of Eric Mitchell, Manuel DeLanda and Ericka Beckman is highlighted.

These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality. Referred to by the filmmakers as »home movies«, they record actionistic performances in the directors’ own living quarters, with added soundtracks of intermittent percussive sounds.

Documentary based around performances of mostly Melbourne-based bands, including: My Disco! (Melbourne), Love Of Diagrams (Melbourne), Tucker B's (Sydney), Colditz Glider (Melbourne), Mukaizake (Perth), Aleks And The Ramps (Melbourne), Eddy Current Suppression Ring (Melbourne), Bang! bang! Aids! (Melbourne), Die! Die! Die! (New Zealand), The Tigers (Perth), Baseball (Melbourne)

Every World Cup, Every winner.The next in the Super8 series, only bigger and better. Illusionary Lines has been with the World Cup circus for the entire journey capturing every winner of a World Cup ripping in an isolated and unique part of the globe. Travel to Africa, Australia, Austria, Brazil, Canada, Finland (Arctic circle), Germany, New Zealand, Scotland, Spain and Switzerland in a never ending journey to find the Illusionary Line.

A short film about a young boy’s life changing trip across Vietnam.

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Super-8 filming, made between 1976 and 1979, from the amateur drive to capture the moment. For the professors of the University Carlos III Elena Oroz and Xose Prieto Souso, who have directed the project, the vestiges of the collective struggles, social rituals and family moments from the articles that articulate an archeology of the possible attentive to the textures affective, aesthetic and temporary inscribed in them.

A souvenir of Randagi on tour.

In late 1970s Ohio, a group of friends filming a homemade zombie movie witness a devastating train derailment. Soon after, their quiet town is gripped by unexplained disappearances, strange phenomena, and a growing sense of fear, as they uncover that something terrifying has been set loose.

“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux

The history of the GDR Super-8 scene—an underground art movement that produced films outside official channels in the 1980s—produced by Cornelia Klauss, herself a Super-8 artist. The Stasi (secret police) monitored this rebellious scene closely. Female artists Ramona Köppel-Welsch, Cornelia Schleime and Christine Schlegel, among others, talk about their art and films, their experiences as artists in the GDR, and how their work changed after the Wall came down.

"What I tried to "tell" is Rosa's close and distorted relationship, common to many women who are used to living alone with themselves, with objects that have become animated and unreal and the relationship which is completely silent, but no less clear and explosive of Rosa with her feminine unconscious” (D. Maraini).

Fede is a theater actress who, while putting on clown make-up for a show, thinks back to her relationship with her father: a relationship of tenderness, desire and hatred.

Ahmet, a Turkish guy in his early twenties visit his grandfather's abandoned mansion located somewhere in the northern Anatolia. Thinking that he would return to where he spent his early childhood, only to find out that the place is now in ruins. When he goes to sleep. An unexpected angel will visit him to give her a blessing of the truth. He wakes up being not the guy he was before.

A woman, director of advertising films, catches the eye of a mysterious young woman dressed in white during an evening of dancing on the terrace of a bar and is fascinated by her.

fragments from song lyrics of different artists have given life to this story about love, loss and desperation.

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

June 1971 - in a fluid landscape completely below sea level, a young biology student dies during the last year of his studies, leaving behind an unfinished scientific collection. More than fifty years later, a group of ecologists and volunteers are trying to understand and document the same environment as it is today.

Dozens of film enthusiasts come together to intervene and recreate already filmed in s8

Filmed on Super 8 in Paris, Portrait de Rosa, à la française portrays an intimate love story through quiet images and gentle emotion.

Milk in its symbolic and ancestral dimension is the fulcrum of this short film. Primary source of female nourishment, abundance and life, milk flows, is drunk, steeps and nourishes. The woman-mother is its dispenser, the one who safeguards its vital power. The color of milk, however, also recalls male seminal fluid and the dimension of the sensual exchange between man and woman.

A man is confronted by parallel versions of himself as he contemplates his life choices.

According to Scottish mythology Selkies are mythological beings capable of changing from seal to human form by shedding their skin. This film follows the story of such a creature who chooses the sea over her land dwelling sweetheart.

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A single misstep — crushing a cicada beneath his foot — plunges a young man into unsettling paranoia.

Three women leave for a beach holiday. The joy, the carefreeness of days on the beach, lunches on the terrace, lazy afternoons punctuate this "holiday film" which slowly reveals and builds the sensual and playful intimacy of the relationship that binds the protagonists/directors.

After of Waves 1 (1972) Amos Gitai made another short film entitled Waves 2, in 1976 and again in Super-8.

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

An awkward boy and a shy girl meet on a bench, what awaits is a night they will remember forever.

La signora Aetna, (Etna), is bored and boredom can be a dangerous thing for those around you when you are a volcanic goddess.

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.