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Set in 1941, the film delves into the complexities of rural life in Bengal. It sheds light on the oppressive Zamindari system, a social structure that perpetuates inequality and suffering. By exploring the lives of individuals caught within this system, the film offers a poignant commentary on the changing social dynamics and the growing discontent that would ultimately lead to significant transformations.

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

The story revolves around a North Indian taxi driver, Narsingh, who attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business. Preserved by the Academy Film Archive in 2001.

In late 19th Century, Bengal Bhubaneswar Chowdhury (Jackie Shroff) is a wealthy and tyrannical Zamidar (Squire). He has two main obsessions: his desperate attempts for an heir, which even his new second wife Jashomati seems unable to deliver; and competing with his regional rivals to produce the most magnificent effigy of a goddess for the annual Durga Puja ceremony. This year he concocts a master plan - why not change the face of the goddess for the most powerful woman on Earth - Queen Victoria. Meantime his two wives Mahomaya and Jashomati try to look out for one another especially as Bhubeneshwar begins to sexually assault his younger wife each night. Traumatised and lonely, Jashomati is dangerously drawn towards the youthful sculptor who has been employed to create the great effigy of Durga, Goddess of destruction.