Search Results for "théâtre"

Part One, "The Last Christmas Dinner," is about the relationship between an old man and an old woman, both homeless. Part Two, "The Electric Floor Polisher," is an opera-like story of a woman who is obsessed with polishing her floors. Part Three is a musical interlude featuring Jeanne Moreau singing "When Love Dies." Part Four, "The Virtue of Tolerance," concerns an old man, his young wife, and how they come to terms when she has an affair with a man her own age.

A blend of fact and fiction, based on the actual lives of the actors, the film depicts a troupe of actors and dancers struggling to practice their art in the burned-out shell of Cambodia's former national theater, the Preah Suramarit National Theater in Phnom Penh.

The production bears the imprint of the conductor, Marko Letonja, and the director, Tobias Richter, whose understanding is ideal: both breathe a troupe spirit - specific to comedy - into this heterogeneous cast, which brings together young and old. Both give as much importance to recitatives as to arias and ensembles.

Festival of Avignon 1977. In the main courtyard of the Popes' Palace, actors rehearse a play by Shakespeare, Coriolan. The director is inspired by this text and the history of the landscape of Provence to question the imaginary threads that link all these elements and that "make theater". "Theater is a film about the relationship between theater and history. First, there is Coriolan, Shakespeare's play about a Roman dictator's rise to power, there are the landscapes of Provence, there are the actors who rehearse the play in Avignon. And two voices, that of a man and that of a woman who speak to each other. While the reality of the actors' work builds the documentary side of the film, this fictional dialogue resonates with the landscapes that contain so many traces and stories. The film, playful and joyful, explores the narrative possibilities of cinema." - Catherine Bizern

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The fortunes of a small theatrical company based in the Paris suburbs.

Nominated for two Chicago/Midwest Emmy awards including Outstanding Historical Documentary and Outstanding Off-Camera Directing, "90 Years of the Music Box Theatre" depicts filmmakers Werner Herzog, Lana Wachowski, Michael Shannon, Joe Swanberg, and more as they celebrate a 90-year-old cinema institution in Chicago, IL.

A cattle farmer who aspires to be a stage actor, Das works with a cosmopolitan theatre troupe headed by an ill-tempered, foul-mouthed director. When the director’s tantrums unearth buried resentments among the group’s members, the play they are rehearsing threatens to come apart.

Internationally renowned guitar superstar Joe Bonamassa, known as a "tour de force", has delivered another stunning performance at the legendary Beacon Theatre in New York City. It features guest performances by legendary classic rock singer Paul Rodgers (Bad Company and Free), American Music Award winner John Hiatt and Beth Hart, who recently released the stunning duets album Don’t Explain alongside Joe Bonamassa. In addition to these great guest appearances, Bonamassa's show features brand new songs and an awe inspiring guitar experience.

People spoil things; there are so many of them and the last thing one wants is them traipsing through one’s house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy wonders if an attic sale could be a solution.

A glimpse behind the stage. An old man pursues a young woman but a she prefers the advances of a younger man so the older one gives his flowers to a fireman.

Embark on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury, England. The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?

Three young movie theater employees are given the task of re-opening a long-closed, old-time theater at which, many years before, a shocking series of grisly murders took place. It seems many more murders have occurred since then but all of this remains unknown to these three young upstart employees hoping to finally make it big on their own. As they approach the grand re-opening night, things keep getting stranger and more unsettling with items suddenly starting to move around by themselves without any seen aid and a terrifying old man seemingly haunting the premises.

On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.

The film is set to bring forward once again the well-worn images of the summit talks between Reagan and Gorbachev in Geneva. It is a reproduction of the days during the summit. On the one hand, pictures are gathered from the perspective as an onlooker in Geneva, on the other hand, the old television footage is processed.

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A look at the rich history of the Mariinsky Theatre in the birth and growth of the Russian tradition in opera, music and ballet.

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"Theatre of Mr. and Mrs. Kabal" is Walerian Borowczyk’s first feature-length film and his last animated film. It consists of a sequence of loosely connected scenes, much like a vaudeville program, in which Mr. and Mrs. Kabal perform absurd, surreal, and sometimes cruel acts.

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Tartuffe is a hypocritical impostor who manages to manipulate Orgon, a wealthy widowed bourgeois, by feigning devotion. Orgon ends up offering his daughter Mariane in marriage to Tartuffe, while he disowns his son Damis and intends to donate all his possessions to Tartuffe. Elmire, Orgon's young wife, whom Tartuffe is courting, will attempt to expose him, while the royal family intervenes to prevent the ruin of Orgon's family.

A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?

Why do we often go to dinners we don't want to attend, to see friends who aren't really friends anymore? Out of habit? Out of kindness? Out of cowardice? Intoxicated by the idea of tidying up their schedules by sorting through their old friends, Pierre and Clotilde Lecoeur (played by ERIC ELMOSNINO and LYSIANE MEIS) decide to organize farewell dinners, the ultimate form of friendly divorce. However, by choosing - as their first victim - Antoine Royer (played by GUILLAUME DE TONQUÉDEC), their oldest friend, Pierre and Clotilde are unaware that they are getting caught up in a downward spiral.

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Sherlock and Doctor Watson are back and investigate the curious disappearance of an exceptional diamond in a hotel room. A theater adaptation of one of the 56 short stories featuring the detective Sherlock Holmes.

Liz and Hugh Preston have been living a life of perfect harmony for fifteen years — what one commonly calls “happiness.” But this peaceful bliss has gradually led to a certain boredom, prompting one of the spouses to cheat on the other — what one frankly calls “adultery.” But who, in fact, is responsible for this minor disaster? Hugh claims it’s Liz. His wife, on the other hand, has good reason to believe it’s her husband who strayed. Fortunately, Hugh will find a way to defend his love and save their marriage. He’ll use a tactic that seems absurd at first, but ultimately proves effective…

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Throughout history, power has always fascinated. And above all, it has always aroused desires. It is by following the respective paths of two young graduates from the National School of Administration, Laurent and Brice, that one truly becomes aware of what the race for power implies. Between meteoric rise, low blows, ego and idea duels, it is important for our two protagonists to succeed in asserting themselves to survive in the political... and media jungle. Ultra-realistic, funny, and biting, discover the most surprising power comedy of recent years!

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Anita is a barmaid at the center of a community of street preachers, prostitutes, dealers and users. When a beloved friend (and young drug dealer) is caught by narcotics agents, Anita takes it upon herself to score for his struggling clients.

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As its title indicates, La Mort du Cygne is set in the special world of the ballet. Young dance student Rose Souris idolizes her teacher-role-model Mademoiselle Beaupré, and will do anything to help Mademoiselle Beaupré further herself. Thus, when rival ballerina Nathalie Karine lands a much-coveted role, Rose arranges an accident causing Nathalie to break her leg. The girl comes to regret her rash behavior when it appears as though Nathalie will never dance again.

The film emerged from a 1976 play by the same ensemble. It explores the tragicomic lives of newlyweds from the petit-bourgeoisie, capturing their shattered existence with a blend of theatre and cinema. The Nouveau Théâtre members navigate a surreal landscape, suspended between nightmare and reality, with a hyper-presence of bodies accentuated by unchanging lighting.

Madness, mayhem, and mummification rites ensue when a documentary filmmaker visits the rural commune of the Osiris Collective, an ancient Egyptian inspired cult, to investigate the disappearance of his ex-girlfriend.

How did Andy Warhol meet Ulrike Meinhof? By Chance. Ulrike Meinhof is one of the legends of our age. Her personality is just as tragically failing as Warhol's. Completely his opposite, she turned politics into tragic poetry; she had to meet Andy Warhol, who turned exhausted art into daily food. The artist who gained freedom in complete unity with the existing world and the revolutionary who did not find freedom until death — they had things to say to each other." Documentation of this live performance includes the film piece, "An Imperial Message," the text of which is taken from a parable by Franz Kafka, depicts the bizarre encounter between the character of Andy Warhol, who rides horseback through the city streets, and Ulrike Meinhof, played by the child Eszter Balint, known later for her performance in Jim Jarmusch's Stranger Than Paradise.

Pig, Child, Fire! documents a 1981 re-staging of a performance originally created in 1977. Based on the confessions of Nikolai Stavrogin in Dostoyesvsky's The Devils, this performance is characteristic of the Squat Theatre's recombinant aesthetic, which fuses disparate cultural references. Elements include motifs from late-1940's gangster movies, music by the influential German electronic group Kraftwerk, Antonin Artaud's incendiary letter to Andre Breton, and the uncanny use of 'real life': a live dinner scene in which, night after night, the children of Squat members, along with their mother, ate their meal and engaged in conversation before the audience.

A character examination told through a short film.

A tormented widow confronts the ghost that's been haunting her for so long.

This glorious three-act ballet (danced by outstanding members of the Bolshoi Ballet corps) boasts a magical score by Alexander Glazunov and is brimming with melody, stunning color and eye-popping effects. Starring Ludmila Semenyaka, Irek Moukhamedov and Gedeminas Taranda, the performance was filmed live at the Bolshoi Theater in Moscow.

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation. A Bolshoi Ballet adaptation of Leo Tolstoy’s novel with choreography by Maya Plisetskaya, who also took on the titular role.

With Tchaikovskys famous and lyrically poignant score, the beloved masterpiece Swan Lakes depiction of tragic love is performed to perfection by the unparalleled virtuosity of Russias great Bolshoi Ballet with the Bolshoi Theatre Orchestra. Recorded in early 2015, this live performance provides an opportunity to see the modern manifestation of this legendary ballet troupe with lead ballerina Svetlana Zakharova along with Denis Rodkin and Artemy Belyakov among others introducing us to the new generation at the Bolshoi.

Nobody enjoys being in debt, financial or otherwise, but August Strindberg’s 1888 play – which the author ranked as his finest achievement – plays with masterly skill on the themes of emotional debit and credit to create a situation as painfully enjoyable for the audience as it is nightmarish for the protagonists.

A young Aboriginal man heads north in search of a girl, but discovers much more than he ever expected.

Noetic, Faun and Boléro: Three elements, three visions, three journeys through dance. Choreographer Sidi Larbi Cherkaoui's show offers a profound reflection on our intimate connection with the world around us. From putting mathematics in movement to Ravel's Boléro as a dance of death, Cherkaoui transcends the boundaries of the stage to offer us a unique philosophical perception of the world.

How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.

Taking a classic opera and turning it on its head, Karin Henkel, a leading director in contemporary German theatre, offers a new interpretation of Verdi's masterpiece. In a world dominated by men, where women are exploited and history repeats itself, she explores the fate and sacrifice of a 19th-century heroine through a contemporary female perspective.

David Suchet, in conversation with journalist Geoffrey Wansell, invites audiences to experience a rare opportunity with one of the world's most celebrated and fascinating actors of our time.

Narrated by actress Katharine Cornell and filmed in black and white, it spends the first 24 minutes introducing viewers, through newsreels, interviews, and old photographs, to the story of the deaf and blind disabled-rights pioneer. News footage shows her international appearances and visits with heads of state, including President Eisenhower allowing her to feel his face. The second half takes a day-in-the-(exceptional)-life approach to Keller's existence circa 1955. Made just 13 years before her death, Keller's famed tutor-translator-friend Anne Sullivan had already died, leaving her live-in replacement, Polly Thomson, to share the film's focus. From the time Keller takes her morning walk along the 1,000-foot handrail around her yard through her workday to her nightly reading of her Braille Bible, her serene acceptance of her life will amaze and inspire. Preserved by the Academy Film Archive in 2006.

A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of theatre and film appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance.

Elizabeth Barrett's tyrannical father has forbidden any of his family to marry. Nevertheless, Elizabeth falls in love with the poet Robert Browning.