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Par of the Shamanic Materialism & Aesthetic Of Trance. Works that explore Mesoamerican rituals and beliefs in relationship to the natural world.

Documentary about the Tlalocan, known to the Nahua people as the otherworldly paradise.

Tlaloc (Lines Drawn in Water) is a handmade cameraless 16mm film of materiality and transformation; an enigmatic otherworld where hues of water evolve into prismatic blooms. Tlaloc is the deity of waters, rain, lightning, and growth in the Aztec pantheon. This film explores the membrane of film itself - a moving skin marked by fluid, punctured by light. The protean soundtrack was entirely composed with contact microphones to capture handmade surface markings and gestures. The motion picture was made with direct animation, scratching, hand-painting, and contact-printing techniques.

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Mexico City was built on a lake, yet today it faces water scarcity. This film allows us to reflect on this contradiction. It also travels back in time to the day when a monolith representing Tlaloc, the aquatic deity, was transported to the center of the city.

No description available for this movie.

Oilman Paul Sturges' idyllic family vacation turns into a nightmare when they encounter a ferocious megalodon shark that will stop at nothing to protect its territory. Stranded and under constant attack, Paul and his family must somehow find a way to get his family back to shore alive before it strikes again in this epic battle between humans and nature.

When 11-year-old Riley moves to a new city, her Emotions team up to help her through the transition. Joy, Fear, Anger, Disgust and Sadness work together, but when Joy and Sadness get lost, they must journey through unfamiliar places to get back home.

A look at the relationship between Mike and Sulley during their days at Monsters University — when they weren't necessarily the best of friends.

Ana, a nine year old girl, arrives with her mother to an isolated beach with the intention to rest and to know the sea. There, she discovers that they are under a terrible threat, therefore she is obligated to look for help with her father in order to save her mother.

A psychotic hermit obsessed with a Mexican soap opera actress, creates a parallel world in his mind where he is her husband and the father of her unborn daughter.

Set in 1968, two students, Marcos and Esperanza, debate whether or not they should attend the protest taking place at the Plaza de las Tres Culturas in Tlatelolco. Despite the warnings, for them, this is a fight for freedom and against oppression.