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A married couple's celebratory date night is derailed when the wife lets the wrong name slip out during sex.

In this final installation of the Babayaga’s Bitches series, former wiccan youtubers Barb and Blaire have escaped hell, aided by Satan and the power of their love. Now, they must fulfill their destiny: avenging their former incarnation as a mistreated angel by killing G-d. Live streaming this mission, Barb and Blaire sway the spiritual citizens of the afterlife through empty appeals to progressivism, leading to disastrous results. Meanwhile, their former roommate and murder victim, Darell heads up the Apocalypse Prevention Committee. He watches as his team slips through his fingers, successfully influenced by Barb and Blaire.

Bhanu, a high school teacher, wants to transition as a trans woman while working for a school in a small town in South India. Bhanu’s parents do not know that she is already taking hormone treatment for the transition. When her parents force a marriage upon her due to their financial situation, Bhanu gains courage under pressure. She starts to live as a woman named Bhanu with her friend Haritha's help. The school administration creates problems by not acknowledging Bhanu as a woman. As Bhanu struggles to find happiness after transition, she meets a student Karthik who is being bullied by his classmates for his feminine demeanor. Unable to withstand the bullying, Karthik retaliates by wearing makeup and nail polish to school. The school administration blames Bhanu for all the problems. How Karthik and Bhanu deal with the problems form the rest of the story.

More than 50% of transgender boys have attempted suicide. Through two life stories, directors Lexie and Logan unravel why their community is particularly vulnerable to living and dying quietly; and a longer summary here.

After getting harassed in the public toilets, two trans friends fight back. Or: a short film about pissing on transphobes.

Set during the 30th LGBTTTIQ+ Pride March in Tijuana, this short documentary presents a queer archivist whose career as a journalist has documented key moments in the region’s queer history, alongside an activist who uses drag performance and outspoken advocacy to challenge the stigma surrounding people living with HIV. Through archival imagery and alternative spaces like Enclave Caracol, located in the city’s historic downtown, the film reflects on memory, erasure, and the urgent need to tell our own stories.

Edith can’t stop watching “Meat”, a show she obsessively collects and rewatches the VHS tapes of. The more she watches, the deeper she finds herself connected to the horror of what’s on screen.

Come and join Eleutheria the Puppet and her fluffy friends at The Transgender Puppet Variety Show.

A collage film documenting dissociation, sexual assault, and all the times I didn't have words for myself.