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A big city detective Davaa is summoned to the Mongolian hinterlands because of a most unusual hostage situation. When Davaa arrives he finds himself surrounded by local police and officials who mock the situation and seem bizarrely frivolous in their duty to the hostages being ransomed for 1 billion Mongolian tugrik a person. This Ransom is an oddly precise sum related to a travesty of justice that tragically unfolds.

The last performance of the Travesía Travesti cabaret coincides with the Social Outbreak of October 18, 2019, in Chile. In the middle of the revolt, Anastasia tries to reunite the ex-members of a fractured cast, but Maraca, her best friend, does not want to continue with the work.

A parable, portrait or record around Daniel Melero’s Travesti. An entropy that’s the convergence between the secrets behind its production, the anniversary show -25 years later- and the winding career of a transverse artist.

In the heart of Medellin- Colombia, 'Travesti Opening' unveils a tale of defiance and survival as La Tiana leads her gang: the travesti gang, rebels against binary norms, survivors of continuous persecution. They show us the power of friendship and self-creation. We can't guarantee that after watching, you won't become a travesti yourself, as it happened to the director.

About the misadventures of Desiderio, a pretty young Neapolitan transsexual, and of her group of transvestite friends. Disappointed in love and politics, they set up an organic farm and psychological help centre for men in crisis.

A man raised in a circus of drag performers recalls the dramas of his childhood at every turn. He wants his wife to die, travels to his past, and from there begins to live out that desire.

The comedy film between Caribbean, Atlantic, and the Mediterranean! A funny and bizarre comedy experience on board of the dream ship MS Melody with six chaotic Franconians – delightfully comically between pure nonsense and sparkling wit. Plus, dreamlike pictures from the Caribbean, the Atlantic, and the Mediterranean Sea! Heißmann and Rassau in triplicate: As the Franconian couple Annelise and Georg Kaltengruber, as the two widows Mariechen and Waltraud, and of course as the goofball duo Hepp and Depp. And what all happens when a small bunch of Franconians embarks on a snow-white cruise ship is at times completely ludicrous.

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One of the first (and perhaps therefore ambiguous) approaches to homosexuality in Spain at the time. The film narrates in cinematographic form the problem of the third sex, its justification and its existence within a real environment that is society itself. Two parallel worlds are shown to us; one, the hard and professional life of some artists who try to put on a 'music-hall' show. The other world is independent but it shows us what the life of an old glory was like, of an old man who was an artist in his time. Comparing one era with another is the intention of the film and ultimately its plot.

It's mid-2020, there's a global pandemic outside and I'm going mad with stress studying for finals, so my subconscious broadcasts this for me while I'm asleep.

In 2017, in the wake of the newly-elected President Trump's mysterious tragic fall from the balcony of Trump Tower, Barack Obama declares himself "President-For-Life". Now, in 2040, in a gunless, godless America renamed "Obamaland", a ragtag group of patriotic "Trumpublikans" plot from an abandoned Applecheez deep in the Heartland to take their country back once and for all