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This film shows that domestic violence is an urgent issue in Krola village, Ratanakiri. There, Ching Meth, a Kreung ethnic widower had suffered from her aggressive ex-husband who attacked her with weapons many times and even threatened to shoot her. Then, being left alone with a son and daughter, she works hard, but could not stay alone. And once again, she is married with another violent man. As her 21-year-old son, Nhap Thy, is traumatized he depends on his mother’s support. Also, Mett’s daughter has suffered from gender-based violence. At the age of only three years, another relative raped her. Thinking about the miserable life, Ching Meth cries a lot and finds hope in Christian religion.

No description available for this movie.

Short promotional film for a Saturday Evening Post sales convention.

A 1934 documentary by Henri Storck.

This visual essay, narrated by Anton Yelchin, focuses on the production history at High Noon. Included with the essay are plenty of very rare and archival promotional materials

Radiation causes a legion of zombies to be unleashed upon the human race. A group of teenagers desperately try to stop them. Lots of blood and gore spill in the carnage that follows.

A college professor finds herself at a personal and professional crossroads when a star pupil levels an accusation against one of her colleagues, and a dark secret from her own past threatens to come to light.

Dr. Génessier is riddled with guilt after an accident that he caused disfigures the face of his daughter, the once beautiful Christiane, who outsiders believe is dead. Dr. Génessier, along with accomplice and laboratory assistant Louise, kidnaps young women and brings them to the Génessier mansion. After rendering his victims unconscious, Dr. Génessier removes their faces and attempts to graft them on to Christiane's.

Pollution, disaffection, moral decay and social unrest surround a church and its pastor's family heading toward a celebration over the return of its bells.