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Second version of the video-poem "Visual Text: Finger Poem" (1968), by Valie Export, conceived after the eponymous photo poem from 1968: "I say what is shown in showing what is said" (freely adapted from Martin Heidegger).

A black boy learns contradicting lessons of manhood and masculinity on the day of his cousin's funeral.

An experimental visual poem combining film, animation, photography, and archival footage inviting people to occupy the Black Body and examine the lived Black experience for a brief moment.

Surreal environments take center stage in this visual odyssey.

You are alive like they are.

Something grows from within.

At 3,776 m high, Mt. Fuji is Japan's highest mountain. With nothing comparable surrounding it, the beautifully shaped Mount Fuji towers in splendid isolation and has become the symbol of Japan. But do you know the real beauty of Mount Fuji? NHK knows Mt. Fuji as well as anyone. Masterfully capturing Mt. Fuji in high-definition, this program presents Mt. Fuji as a splendid visual poem. Sheathed in orange, red, brown, blue, white, black and sometimes shimmering like a diamond, Mt. Fuji shows her many faces, which change with the time of day, season and weather. In this program, you will see and enjoy Mt. Fuji as you never have before.

The Colored Hospital is a visual tone poem told through the eyes of a young black man who searches for emotional healing and identity in a country bombarded by violence, hatred and toxic social norms.

a film that came to me in a dream, my little dove. Performance by Jasmyn Bagonghasa & Daze Flores Written & Directed by Eric Nguyen Gaffer: Jer Aquino Production Designer: Eliz Alvarez

The recorded set of acts performed by Jordi Bertran

Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.

A kaleidoscopic montage, interpreting the poem "Our Punjabi Market" by Kuldip Gill depicting the vibrance of the Punjabi Market at 49th and Main in East Vancouver, BC.

Using Varsha Panikar's poetry series by the same name, it follows the journey of a poet as they rediscover love, passion, and identity after encountering their muse.

A granddaughter gives a new meaning to her grandma's death through previously unspoken memories.

A reflection on loss and nature’s quiet observance in a small nook of the Ozarks.

Digital images decomposing in rain-like effects. A visual poem, trying to capture the poetics of a cinematic rain shower into the structure of its images. Still images from the 1982 science fiction film noir classic Blade Runner become animated, a frozen memory of two lovers is washed away in time.

“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.

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A short anecdotal documentary about the nature of destruction, a debilitating deadlock of humanity.

Poetry, interviews and conversations between plants, still trying to find out what is love.

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In this short from James Knight, a collection of Paul Celan's poetry is subjected to an electrical atomisation. Its words are severed from their material form. Knight composes through decomposition, pages disintegrate and reintegrate, and all the while the traces of their words remain fixed.

"To Hunger, From Thirst" is a visual poem that about the capacity of art to save and the positive impacts other artists can have, inspiring an artist to keep going even through the tough times of dealing with depression and anorexia, and how thanks to art, they're still here today. "To Hunger, From Thirst" has received awards for Best Editing at the ThawOut Film Fest in 2019 and an award for 2nd place in the 2020 Ketchikan Film Festival. Dedicated to Florence + the Machine and their song "Hunger." "To Hunger, From Thirst" is included in the poetry collection "Negative Fifty" by Sam Thompson.

A woman is tormented by a strange entity and someone else.

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.

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Occasionally, "your own" life is only based on the lifes of the rest. The human being, cutted off from the cultural and social, finds things in common with the other of the antipodes. An essay of the common and the different. The protagonist writes a letter and digress and imagine, with what isn't theirs. Taking it, transforming it and turning into another part of their body.

Sitting Idle (2021) is a meandering, meditative visual poem that follows the life of a nameless character over the course of a year - as he traverses across the country, meeting and living with friends along the way. Luke Olutunmogun presents an unconventional plot-free narrative that acts as a visual longitudinal study and diary - exploring feelings of loneliness, alienation, and jadedness amid the death throes of a decaying urban landscape.

A haiku film poem. the early morning waiting for the monks. the voices. the fire. the wat drum.

An experimental visual poem about a sick lonely old man stays in his big empty house, dreaming of a glorious life that he could have. In this dream, he plays a Rubik's Cube, which connects the memories of his prime in a paralleled universe, the chapters of love and pain.