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The seaside girl, Coconut Sister, who was obsessed with dance, married early because she had not yet overcome poverty. Unexpectedly, her husband passed away, and she endured hardships to raise her naturally mentally retarded eldest daughter and adopted daughter Xiaofeng. After passing the college entrance examination, Xiao Feng became confused in love. After painful reflection, she became a female entrepreneur and eventually trained the third generation to become ballet dancers with her mother.

Episode 1 Wife’s Revenge A wife suspects her husband of having an affair so she convinces a husbands friend to help her get revenge. Episode 2 Orgasm Addict A husband’s hometown friend comes to stay as his home. One day when the husband is away, the friend learns something new from the wife about life and dangerous love. Episode 3 Overnight Classmates A man who has lived alone and without marriage due to erectile dysfunction meets a former classmate who makes his body feel alive.

On the day of an inauguration to head the family business Stane confronts marriage, love and patriarchy.

The film reimagines the life of a Miu Miu Wander bag as it moves between owners, places, and social realities. The bag becomes a silent witness to human experiences—love, loss, and reinvention.

Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla's newborn son.

Nothing went as planned: what seemed to be an original idea (taking an international fashion event to a small town in the Argentine Pampas) ended up as a mysterious affair, with a mannequin who seems to have vanished, and who insists on leaving small clues scattered across the immense plains. But nothing seems to be too strange for Commissioner Sirota and her particular method which, this time, includes a clairvoyant, a legendary detective arriving from Santa Rosa and some picturesque “peritas” who choose to work at night, swinging to the rhythm of Ska. In the middle, a disturbing question: Is it a police case they are dealing with, or is someone taking them (the police, the whole town, the Italians – all of us, perhaps) for a fool?

A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.