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Amidst failed harvests and the threat of AIDS, Zimbabweans look for work, preferably in South Africa. But their illegal status and xenophobic whites do not make life any easier in the neighbouring state.

No description available for this movie.

Jerusalema: From Austria to Zimbabwe is a loving look back at a viral phenomenon that burst out during the Covid pandemic: The Jerusalema Dance Challenge. After Master KG–a South African musician and record producer–wrote a beat, and Nomcebo Zikode wrote the lyrics, and the Angolan dance troupe Fenómenos do Semba created a line dance (as seen above), people all over the world started posting videos of their group dancing. Hundreds of them. On airport runways, in schools, hospitals, nursing homes, at the beach, in churches and monasteries, on game reserves, in town squares, fire stations, police stations….anywhere and everywhere from Austria to Zimbabwe. I was very moved when I discovered the videos during the pandemic, so I wanted to celebrate how so many people took up the challenge and danced with joy and hope.

A documentary covering the Second Chimurenga, the Zimbabwean War of Liberation.

Where previously an unbroken white self-confidence did not even allow the question as to the existence and function of the "other", the black African, to arise, nowadays an enlightened generation is attempting to cover up the difference in the assumption that the habit of ignoring race will be understood as a tactful, even generous liberal gesture. The outline of one's own soul, a "white negro". The film is an attempt to admit more identity, a feeling and searching for validity.

Adam Varney, a former transport rider, makes an unexpected appearance in the camp of Dalmayne, a prospector looking for gold somewhere in southern Africa

Documents the history of the independence movement in Zimbabwe through art prints, vintage documents and photographs, posters, and archival film footage. Shows the continuing disparity between Black farmers, who barely make a living on their inferior land, and affluent whites, who employ modern agricultural techniques on their lush acres.

Machanic Manyeruke is the founder of gospel music in Zimbabwe—though, his influence reaches far beyond the borders of his African country. Filmmaker James Ault places Manyeruke in his contexts and explores his influence on gospel music worldwide.

“Factory-made wheelchairs are huge, heavy and ugly.” To counter this reality, wheelchair riders Ralph Hotchkiss and Omar Talavera began making beautiful, all-terrain wheelchairs. Their work draws on the resourcefulness of disabled people in the Third World, who have no choice but to build their own chairs. A well-crafted piece in its own right, Zimbabwe Wheel illustrates that wheelchairs can be truly empowering works of art: hand-crafted machines that are inexpensive, durable, and tailored to the needs of the rider.” Working on your chair is like working on your whole sense of self,” says a student, describing a feeling no factory-made chair can provide.

Once touted as Zimbabwe's saviour, Robert Mugabe has become synonymous with bad government and misrule. But where did it all go wrong?

In 1994, 62 children in Ruwa, Zimbabwe claimed to have seen a UFO and "black man" on the school playground. No teachers or school employees witnessed the sighting. Filmed in extreme close-ups director Roger Horn lets his imagination run wild as he combines archival interviews with visuals collected in Southern Africa and Europe.

A tragic account of the poverty and desperation in the once-prosperous nation of Zimbabwe.

The trials and tribulations of living in Zimbabwe told through the eyes of Hugh, a man returning to Zimbabwe from UK after many years away.

Dispatch Zimbabwe documents this unprecedented three-night benefit event reuniting members of Dispatch for a weekend around a cause. The music world was rocked when Dispatch became the first independent band to sell-out the legendary arena (three nights no-less)! More importantly, they proved the healing power of music as the band and fans collectively raised funds and awareness for poverty stricken Zimbabwe.

Robert (not his real name), is a gay Zimbabwean man who fled to South Africa in the hopes of making this his home. What he found instead was abuse at the hands of other gay men, homophobia from Department of Home Affairs officials as well as the difficulties of navigating the Covid-19 pandemic as a sex worker living in a foreign country. In this short film, Robert speaks with candour about fleeing his homeland, his life in South Africa and his hopes for the future.

"Zimbabwe is at risk of losing its youth to codeine cough syrup, as the addiction epidemic has already engulfed what the experts estimate could be over half the country’s young people. Despite the growing problem, Zimbabwe’s government has not yet opened rehabilitation clinics, meaning addicts are often sent to prison or psychiatric wards. "The cough syrup, often of the brand BronCleer, is imported illegally from South Africa, and is sold on every street corner, in bars, school yards and on busses for as little as $3 a bottle. "We meet current and former users, as well as the NGOs pushing the government to open up rehabs, to find out why cough syrup has become the drug of choice for so many young Zimbabweans."

AWA: Zimbabwe’s Rap Queen tells the story of up-and-coming starlet AWA preparing to perform at her country’s biggest hip hop festival Shoko, in the capital Harare.

No description available for this movie.

In 1991 I was at high school with John Miller, Rozallaʼs brother when her break-through single “Everybodyʼs Free (To Feel Good)” was released. It was amazing to have a Zimbabwean song topping the international music charts. This was at the height of the rave scene and Rozalla became known as ʻThe Queen of Raveʼ. This was also at a time when protests in South Africa were boiling over. In Untitled (Zimbabwean Queen of Rave) I combine some of these elements and also later events such as my experience of attending large public raves in Europe and later in Zimbabwe. The video expresses a personal reality and also the cultural gap between white and black that I was experiencing. These were two fundamentally different scenarios, yet each was guided by crowd psychology and longing for a different reality.

Black American healer shares about her practice and explores traditional healing, music, and dance in Zimbabwe.

When her archaeologist father disappears on an expedition, Wanda sets out to look for him. What she finds is a secret underground world, where no one believes in life on the surface and where she and her father are taken for spies.

No description available for this movie.

Based on powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, this documentary is accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

The lives of three extraordinary African women from different social levels and origins determined to bring about radical transformations in their day to day realities: Kenyan attorney and reputed lawyer Njoki Ndung'u, Puthi Ragophala the committed school principal of a remote South African village and Zimbabwean housewife-entrepreneur, Amai Rosie.

A charismatic young boy who lives on a rubbish dump in Zimbabwe must convince a reclusive boxing coach to teach him to fight in order to find safety and strength in a world that has left him behind.

Maggie is an ordinary Canadian girl with the best of intentions who has signed on to work in a Catholic mission in Zimbabwe. With an ample supply of enthusiasm and ignorance, she consistently demonstrates her lack of understanding of the local culture. When she is robbed, she fights for the release of the man convicted of the crime and belatedly makes some attempt to understand her environment.

Exiled, yet internationally celebrated Zimbabwean artist Kudzanai Chiurai's demons come to life as he tries to flee South Africa following increasingly fractious experiences on the Johannesburg art scene. His greatest demon “Black Guilt” is one he can never shake off, this burden of having to speak for his people. But Is this responsibility really a burden at all, or is it actually a superpower? Either way, will Kudzi ever be President of His Own State of Being?

Ariel Phenomenon explores an African extraterrestrial encounter witnessed by over sixty schoolchildren in 1994. As a Harvard professor, a BBC war reporter, and past students investigate, they struggle to answer the question: "What happens when you experience something so extraordinary that nobody believes you?"

Riddle of Rhodesia is an American documentary/short on Zimbabwe restored by La Cinémathèque française in 2010.

Drought has struck. Father pushes his wife away from the family dinner of termites. In anger, when mother challenges him, he digs a pit with a brutal purpose, but little does he suspect that Mother can retaliate just as powerfully. Based on an old Shona folk tale and rendered as a musical celebrating a diversity of contemporaray Zimbabwean music, Mother's Day is the newest and most exciting motion picture development to come out of Zimbabwe.

At the beginning of the 1960s, in Salisbury (now Harare), in Southern Rhodesia (now Zimbabwe), the government of Ian Smith hanged three black revolutionaries who had nevertheless been pardoned by the Queen of England. René Vautier, with ZAPU (Zimbabwe African Party for Unity), denounces this killing. Expelled by the Rhodesian police (informed by the French secret services), the filmmaker shoots a film in Algeria in the form of an indictment against colonial savagery. The film was first banned in France, then authorized in 1965.

A glimpse of life as seen through young people at a Zimbabwean children's home.

Shine is a teenager in Zimbabwe who doesn't believe in herself. In the face of life-altering events, she is forced to rely on her own ingenuity and determination to face her future.

A young African man must try every trick in the book in this attempts to win the heart of the most beautiful girl in his village.

Based on a poem by a Zimbabwean LGBT activist written in response to the gay hate speech that is being perpetuated president Robert Mugabe. The film was shot in South East London UK with a cast of six women from several African countries playing multiple roles in this portrayal of being a lesbian in homophobic Zimbabwe. Five of the actors and the producer are refugees who fled their countries in fear of persecution for their sexuality.

Every climbing reward comes at the cost of a potential risk, but when you are a climbing pioneer, driven by the unknown and unexpected, you are willing to risk whatever it takes for the chance to find the perfect first ascent line. This is a story of exploration and discovery, a journey of friendship and solitude, a quest to fuel an obsessive passion. Starring Paul Robinson, Jimmy Webb, Daniel Woods, Chris Sharma and Niky Ceria.

Born from the internet, the phrase "TFW No GF" was originally used online to describe a lack of romantic companionship. Since then, it has evolved to symbolize a greater state of existence defined by isolation, rejection and alienation. The meme's protagonist, "WOJAK," has become the mascot to a vast online community consisting of self-described "hyper-anonymous twenty somethings" and "guys who slipped between the cracks." TFW No GF asks: How has the zeitgeist come to bear down on a generation alienated by the 'real world'? Meet the lost boys who came of age on the internet- places like 4chan and Twitter, where they find camaraderie in despair.