Val Dufour

Another World is an American television soap opera that ran on NBC for 35 years from May 4, 1964 to June 25, 1999. Set in the fictional town of Bay City, the show in its early years opens with announcer Bill Wolff intoning its epigram, “We do not live in this world alone, but in a thousand other worlds,” which Phillips said represented the difference between “the world of events we live in, and the world of feelings and dreams that we strive for.” Another World focused less on the conventional drama of domestic life as seen in other soap operas, and more on exotic melodrama between families of different classes and philosophies.

The tale of trail boss Gil Favor and his trusty foreman Rowdy Yates as they drives cattle across the old west. Along the way they meet up with adventure and drama.

Trackdown is an American Western television series starring Robert Culp that aired on CBS between 1957 and 1959. More than seventy episodes of this series were produced by Dick Powell's Four Star Television and filmed at the Desilu-Culver Studio. The series was itself a spin-off of Powell's anthology series, Dick Powell's Zane Grey Theater.

Sugarfoot is an American western television series that aired on ABC from 1957 to 1961. The series stars Will Hutchins as Tom Brewster, an Easterner who comes to the Oklahoma Territory to become a lawyer. Jack Elam is cast in occasional episodes as sidekick Toothy Thompson. Brewster was a correspondence-school student whose apparent lack of cowboy skills earned him the nickname "Sugarfoot", a designation even below that of a tenderfoot.

The Edge of Night was an American television mystery series/soap opera produced by Procter & Gamble. It debuted on CBS on April 2, 1956, and ran as a live broadcast on that network until November 28, 1975; the series then moved to ABC, where it aired from December 1, 1975, until December 28, 1984. There were 7,420 episodes, with some 1,800 available for syndication.

The Adventures of Jim Bowie is an American Western television series that aired on ABC from 1956 to 1958. Its setting was the 1830s-era Louisiana Territory. The series was an adaptation of the book Tempered Blade, by Monte Barrett. The series stars Scott Forbes as the real-life adventurer Jim Bowie. The series initially portrayed Jim Bowie as something of an outdoors-man, riding his horse through the wilderness near his home in Opelousas, where he would stumble across someone needing his assistance. He was aided by the Bowie Knife, his ever-present weapon. He designed it in the first episode, The Birth of the Blade.

Dick Powell's Zane Grey Theatre, sometimes simply called Zane Grey Theatre, is an American Western anthology series which ran on CBS from 1956 to 1961.

Dick Powell's Zane Grey Theatre, sometimes simply called Zane Grey Theatre, is an American Western anthology series which ran on CBS from 1956 to 1961.

Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.