Fyodor Bondarchuk

An ambitious professor of psychiatry, Viktor Meshchersky, conducts a dangerous psychological experiment in which, under false pretenses, he locks victims and their abusers in the basement, hiding his true goals. The subsequent investigation will reveal the real motives of the professor, and will tie together the confusing stories of all participants in the cruel experiment.

St. Petersburg, 1903. A world of luxury and leisure for men, a world of fear and submission for women. Ksenia and Stesha work in an underground brothel under the control of a handsome and ruthless lady. Girls sell men their bodies, feelings, flirting and the illusion of love. It seems that they have nothing but beauty. In fact, they have access to a secret power — the purity of the soul and the desire for freedom. And with this power, they can change everything.

A lecturer at a provincial institute, PhD in Economics, is desperately trying to put his theoretical knowledge into practice. However, "reliable" business schemes constantly fail, and it does not work to change worn-out trousers from the GDR to brand-new jeans from America. And then there's the son, caught stealing at school, forcing him to go to extreme measures and seek help from bandits. As a result, the main character finds himself embroiled in a murky scheme with dangerous creditors and obscene goods that he will have to sell just to stay alive. After all, now he is the owner of the first sex shop in his hometown, and he urgently needs to make sure that such outlandish products for the local population as "Aladdin's Cave" and "Banana Bully" are properly sold so that his son does not end up in a juvenile colony, and his wife is a "model" at the men's club.

In the past, Soviet prima ballerina and now world-renowned choreographer Ruta Myers returns to the country after almost 40 years to stage a performance at the country's main ballet theater. Ruta is forced to rebuild relationships with friends and enemies, who have become key people in the Russian ballet over the past time, but most importantly — with the artistic director of the theater Andrei Pronin and his family. They were once a couple, and now old feelings and old resentments flare up with renewed vigor. A lot of money, ambitions, and a career are at stake — Ruta, despite all her efforts, finds herself in the epicenter of passions and intrigues very far from the world of art.

The documentary series tells about the history of the new Russian cinema in the context of events that changed Russia forever. The narrative is built in chronological order: from 1992, when the first film was released, where "Russia" was listed in the output data instead of "USSR", to the present. Directors, actors and producers will share their memories of the path in Russian cinema. Among them are Fyodor Bondarchuk, Gosha Kutsenko, Evgeny Tsyganov, Zhora Gooseberry, Pyotr Buslov, Elena Lyadova, Vladimir Khotinenko, Valeria Guy Germanika, Sergey Selyanov, Egor Konchalovsky and many others.

Artyom is in quarantine at home. At first, he even likes that he is left to himself — the family is in the country, the boss, although he appears with ridiculous initiatives, but only by phone. And everything would be fine, but soon Artyom begins to notice strange things: half of the scrambled eggs disappears before his eyes, a glass of whiskey moves into the bathroom itself, and an obscene drawing of magnets appears on the refrigerator. Trying to figure it out, Artyom realizes that it's all Barabashka's fault, who needs to be limed at all costs.

The multi-part project shows the main milestones of politics, television, advertising, music and nightlife, which distinguished the country at that time. Numerous interviews given by the participants of this incredible era helped to accurately convey the flavor and recall how things really were in the 90s. In addition, the film is based on home archives and personal diaries, as well as audio and video recordings.

The brave new world of remoteness has created a new creature, the man of the era of self-isolation, and has given rise to amazing stories that would hardly have happened under other circumstances. Entomologist Victor was given a coupon for a Thai massage session by his colleagues, but instead of pleasure, the nerd got 2 weeks of completely unexpected quarantine away from home. Opposition leader Sasha reposted information critical of domestic medicine. The post was read by his brother - an official from the capital's mayor's office - and asked to immediately demolish everything. To feed a family accustomed to daily rib-eye steaks, Swiss ice cream and sushi, traffic police inspector Kogotkov comes up with a cunning plan to remotely bribe a car enthusiast. And Dimon owes Kostyan a decent amount of money, but he is in no hurry to return it. Kostyan hires Vitya, a scoundrel, to go to Dimon and collect the debt.

Dr. Filatov, a first—class gynecologist, a favorite of women, but at the same time a faithful family man, is suddenly abandoned by his wife. Trying to fill the void created by her departure, Filatov begins to look for a new love. But the more he gets to know the woman, the more he realizes that his wife is absolutely perfect and she must be returned at all costs.

Having suffered a fiasco in the hotel business and saying goodbye to the Eleon Hotel, Eleanor retreats to Tuscany. Everything changes when the ex-fiance Dmitry Nagiyev, who is guilty of her bankruptcy, begins construction of the grandiose Resort complex in Sochi. To take revenge on the showman for all the insults, Eleanor buys a hotel that Nagiyev has his eye on, hires her ex-husband, chef Viktor Barinov, their daughter Katya and manager Mikhail Dzhekovich.