Kurama Tengu: The Fire Festival

When an artist dies, the official cause of death is judged to be a stroke, but his daughter suspects foul play. She recruits the services of an assassin, who by chance encounters an old friend...

Kotani Zenzaemon, a ronin who has a side job making brushes in a tenement house in the back alley, is watching Omine, who lives with him, from Kichizo, a resident of the same tenement house and a boatman. is asked to Kichizo and Mine have eloped and got married, but she feels empty in her boring daily life, and she wants to take a break by crossing the bridge over the river. On the other hand, Kichizo forbids him from crossing the bridge, fearing that his whereabouts will be known to others. Zenzaemon superimposes the appearance of these two people on the appearance of his former self and his wife, whom he killed himself.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple. Considered a lost film.