

The 1966 construction of Alexander Calder's 'La Grande Voile' (The Big Sail), a monumental sculpture installed in McDermott Court at MIT in Cambridge.
Director: Frank Eidlitz
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A smaller scale Eiffel Tower and the Champs-Elysées can be found just outside Shanghai; a copy of St. Peter’s in Rome can be found in Yamoussoukro, in the Ivory Coast: a journey over three continents to see the architecture of imitation, the uncanny world of the fake.

The film was shot in an old, decrepit building where dozens of guest-workers' families live. The owner, a local influential politician, has avoided paying for the maintenance of the building under the legal standards by using his connections to proclaim the building a national cultural heritage. However, the rent he has been charging was as if the building were an object that offered standard comfort. The only German tenant takes the crew around and speaks of his battle against the landlord’s manipulation.

A documentary on the history of the Institute and America, spanning from World War 2 to COVID-19. Features AI-enhanced archival footage of MIT from throughout the past century. View now at https://regressions.net.

The dramatic inside story of the monumental collision of interests at Ground Zero in the decade after 9/11.

Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).
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